Our Research & Projects

Take a look at some of the latest research projects within the Centre.

The centre has a portfolio of research across the disciplines of the arts in education, performance arts, applied drama and theatre.

It also includes popular cultural forms such as comics and street theatre, and in professions such as health, justice, heritage, social work, arts-based organisations and businesses.

Case study: Creativity

Description

Arts-based research can provide unique insights into phenomena and to generate learning processes that lie beyond the scope of conventional text- or number-based educational research. Beyond Text is concerned with how academics and other professionals can use this methodology in disciplines and fields beyond the arts such as science, engineering and business.

Summary of impact

Academics from diverse disciplines and professional backgrounds both within and outside the academy have now embedded arts-based research methodology and methods in their fields including: management & tourism, mechanical engineering for sustainability, palliative care nursing, youth work, adult social care, gender equality, the science of the built environment & teacher education.  This was rooted in 11 organisations across 6 countries.

Country/countries where the impact occurred

Estonia, Finland, Japan, Palestine, Spain, Sweden, UK

Underpinning Research

The research was undertaken over a 5-year period by Professor Allan Owens, Professor Jeff Adams and Dr Anne Passila (Visiting Research Fellow) with national and international collaborators and is characterised as being relational and collaborative. It includes academic publications, practice-based interactive projects and participative performances. Key research insights and findings focus on the inherent structural fault-line that researchers and practitioners have to manage, which is a continually recurring feature when learning through arts-based research.

References to the Research

Evocative Report 1

Evocative Report 2

Evocative Report 3

Beyond Text Multiplier Events

Research Outcomes

Beyond Text: Learning through Arts Based Research Practices (Forthcoming, June 2021)

Adams, J. and Owens, A. (eds). Bristol: Intellect & Chicago Press. (230 pages & eBook edition):

www.intellectbooks.com/beyond-text

Beyond Text: Arts Based Methods for Research, Assessment and Evaluation (2019)

Benmergui, R., Owens, A. Passila, A. (Eds), Erasmus + EU: Beyond Text Partnership. eBook (185 pages). ISBN 978-1-5272-4398-9:

Edited eBook (120 pages)

Beyond Text: Arabic Translation (2019)

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/beyond_text__arabic.pdf

Beyond Text: Catalan Translation (2019)

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/beyond_20text_20ebook_20catalan_20last_20version.pdf

Beyond Text: Estonian Translation (2019)

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/beyond_text_estonian.pdf

Beyond Text: Finnish Translation (2019)

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/beyond_text_sanasto.pdf

Beyond Text: Spanish Translation (2019)

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/beyond_20text_20ebook_20spanish_20last_20version.pdf

Beyond Text: Japanese Translation 

Edition and Translation: Yosuke Ohashi. Introduction by Takaya Kawamura.

Beyond Text: The co-creation of dramatised character and iStory

Pässilä, A., Owens, A., Kuusipalo-Määttä, P., Oikarinen, T. and Benmergui, R. Special Issue of Journal of WorkApplied Management 9(2). Emerald Insights:

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/the_cocreation_of_dramatised_character_and_istory.pdf

Using Kaleidoscopic Pedagogy to Foster Critically Reflective Learning about Management and Leadership

Pässilä, A. Malin, V. and Owens, A, in: Sensuous Learning for Practical Judgment in Professional Practice, Volume 2: Arts-Based Interventions, Elena Antonacopoulu and Steven S. Taylor, Frankfurt: Springer

https://beyondtext.weebly.com/uploads/1/1/4/3/114307963/the_cocreation_of_dramatised_character_and_istory.pdf

link.springer.com/chapter/10.1007/978-3-319-99049-1_11

Testimonials

‘While I know of other arts-based research books, this one is unique. It is built upon a multi-year research study across several countries as those involved used the arts to study topics of mutual interest. I am struck by that which connects everyone but also by the differences that are discussed in each chapter. Reading this book made me think we don’t often get a chance to experience such a vibrant project unified in such a strong book’. - Rita Irwin, Professor of Art Education at the University of British Columbia, Canada.

'This was a huge team effort with many stellar individual contributions and an impressive editorial team, and wider international network.' - Clive Holtham, Professor of Information Management, Cass Business School, Faculty of  Management, City University of London, UK.

‘Taide Osana Organisaatioita TOO (Arts in Organsations) is a multi-professional, self-organising network, gathering artists, developers, consultants, facilitators, researchers, producers from across Finland. The introduction to arts-based methods from the Beyond Text was of great value. These simple, yet efficient methods gave participants a sense of practical tools to be used, and how these methods work to change the atmosphere from rational theoretical thinking into creative bodily actions - and how this creates new knowledge.’ - Krista Petäjäjärvi, Arts Development Manager, Arts Promotion Centre, Helsinki, Finland.

Funding

Erasmus+ Key Action 2: Strategic Partnerships for Higher Education: £294,600

Period when the underpinning research was undertaken: 2016—2018

Period when the impact occurred: 2018 – 2021

Contact Information

RECAP Centre

 

Case Study: Creativity

Description

Scouse Pop researches the context and the motivations of the successful pioneering Merseyside pop groups from the 1980s. It explores youth culture and creativity in Liverpool during an austere period and how all the bands were deliberately designed to be different from one another. This Arts-based research provides unique insights into creativity and resilience which can inform the learning process. The research is in the form of a book, TV series, radio documentaries, live shows and a film taster.

Summary of impact

The impact Scouse Pop has promoted the research into creativity to permeate mainstream media and culture to become accessible to a wider audience. It has promoted useful knowledge to musicians, producers, students, urban planners and the general public on how the creative process works in unconventional ways and its effect on localised culture.

Audiences at the live shows participate in question and answer sessions and live performances by the artistes reveal aspects of creativity demonstrated in their music.

Country/countries where the impact occurred

  • U.K. through lectures, TV broadcasts, radio documentaries, live shows, consultation meetings, newspaper column.
  • Worldwide publication of Hardback and Paperback versions of Scouse pop on Equinox Publishing
  • UK broadcasts of Scouse Pop Tv shows with playback on YouTube for international viewers

Underpinning research

The research was undertaken over a 5-year period (2013-2018) by Paul Skillen. It includes interviews with individuals connected to the music scene in Liverpool, academic publication research, radio interviews, live performances. Key research insights into creativity and resilience.

References to the Research

Ten Books about Liverpool every Scouser Needs in their lives: 

theguideliverpool.com/10-books-about-liverpool-every-scouser-needs-in-their-lives/

Greatest Hits Radio (documentary) Cities of Sound 5th August 2020 (first broadcast):

planetradio.co.uk/greatest-hits/shows/citiesofsound/

Liverpool Echo Newspaper 22nd January 2019 page 2: A truly inspiring Music City

www.thefreelibrary.com/A+truly+inspiring+music+city%3B+MY+CITY-a0570525598

Live events: Scouse pop live Tommy Scott and Henry Priestman 5th September 2019:

https://www.storyhouse.com/event/tommy-scott-and-henry-priestman?fbclid=IwAR0Glqb9LwFvaK8tvyogz3EMkTId6MtBApfim3W3bs6mYx4Lnv5aT3GUbgs

BBC Radio Merseyside 'Tony Snell Morning Merseyside'

13th December 2018 7.45am

BBC Radio Merseyside ‘On the Beat’

23 February 2019 7pm Discussion and music

Scouse Pop Book Launch

13th December 2018 7.30pm, The British Music Experience (Cunard Buildings Liverpool)

​​​​​​Research Outcomes

Scouse Pop - Bay TV Production:

Case Study: Creativity (In partnership with the Phillip Barker Centre for Creative Learning)

Description

ALL will contribute to improve the creative competence of learners, educators, and pracademics (practitioners + academics) by developing an experimental framework for arts-based teaching methods. It is being carried out both in the project activities and also concretely applied in pre-existing educational programmes at the partner institutions and in collaboration with cultural industries/institutions and research environments.

Summary of impact

The impact we are producing is qualitative and sustainable and quantitative in nature. We will widely disseminate the material developed by means of open source and virtual platforms, making them publicly available for use and exploitation. We will also make sure that the participants will find meaningful resonance in the ALL methods, so being affected in their motivation to bring these methods further in their educational practices and the networks to which they belong.

Country/countries where the impact occurred

Denmark, Finland, France, Iceland, Italy, Norway, Portugal, UK.

Underpinning research:

The project research investigations take place in collaboration with the Phillip Barker Centre for Creative Learning https://www1.chester.ac.uk/departments/philip-barker-centre-creative-learning through a series of laboratories for international exchanges on arts-based methods in HE in collaboration with artists and researchers. This allows educators to experiment with several forms of arts-based approaches, learners to participate in activities based on artistic encounters and challenges, artists to develop skills in collaborating with non-artistic environments and HE. A particular research focus is on the ways in which arts-based methods are integrated in existing study programmes and the impact that this has.

References to the Research

https://www.researchgate.net/project/Artist-Led-Learning-in-Higher-Education-ALL

https://www.facebook.com/Artist-Led-Learning-in-Higher-Education-115745083142058/

Research Outcomes

HANDBOOK and E-BOOK FOR ARTS-BASED TRAINING & GUIDELINES

A comprehensive handbook for future arts-based practices in HE a pedagogical model for arts-based teaching at HE containing: Training material for learners and educators, Guidelines and best-practices for institutions and decision makers, and for artists and pracademics. Published in paper and distributed for free, together with open source digital version. Publication will be hosted by Aarlborg University Press.

PUBLICLY OPEN DATA BANK WITH LEARNING RESOURCES

Will include the open source access to the handbook and other learning materials.

STAGED WORK DEMONSTRATIONS

Disseminating the project's process and learning outputs. Dissemination by means of arts-based methods, a public work-in-progress by artistic means, arts-based learning event, dialogic learning encounters.

METHODS ON HOW TO ASSESS AND DOCUMENT CREATIVE COMPETENCIES

Focus on the learners’ and teachers’ learning outcomes in terms of creative competencies.

ACADEMIC ARTICLE 1: DOCUMENTATION OF IMPACT

Documentation of impact and benefits for HE, which is a key necessity for the approach to be taken up by other institutions at HE or adult education level, this academic article will provide the collection of good examples for setting up various arts-based curricula, systematically described and evaluated.

Documentation of the benefits for HE, is also key to impact and advocacy at policy level. This article will focus on the description of arts-based education as complex and innovative learning environments that are beneficial to HE.

This article will focus on the description of methods for leading complex and innovative learning environments in group collaborations, teams, ensembles. We will focus on methods and principles that can be translated to and be beneficial to HE.

Two staged work demonstrations, disseminating the project's process and learning outputs. Dissemination by means of arts-based methods, a public work-in-progress by artistic means, arts-based learning event, dialogic learning encounters.

Testimonials

On project completion December 2021

Funding

EU Key Action 2 Strategic Alliance

Period when the underpinning research was undertaken: 2018—2021

Period when the impact occurred: 2019 – 2021

Research Project: Creativity

Description

"Inside Out - Outside In" was a collaborative project which aimed to explore new ways of preparing teachers for more culturally and linguistically diverse classrooms. This cross-European collaboration, between teacher education institutions in eight countries, intended to strengthen teacher training through the exchange of pedagogical tools and methodologies.

Project Objective

Schools across Europe increasingly find themselves on the front-line, expected to be able to deal with the diversity-related issues. The goal is to support them in tackling early school leaving (ESL) and disadvantage, as well as to address all students from the lowest to the highest end of academic spectrum.

Project Outcome

The "Inside Out - Outside In" project was undertaken through a series of creative workshops in Finland, England (Chester), Estonia, Austria and Sweden. The following video reports summarise the experiences and the findings of these collaborations.

Research Project: Creativity

Description

Democracy is a key pillar of the European project, yet this long-standing ideal faces apathy, disinterest and increasing diversity as a result of societal change. This situation challenges educators to critically consider what kind of education is offered and how education prepares pupils and young people to participate in the democratic life of society and in the community.

The aim of this project is to highlight democracy as a ‘living’ ideal by reconsidering what democracy means today and the implications this has for life in schools and teacher education. It recognizes that democracy is never ‘complete’ or finished, but has to be redefined and renegotiated by each generation in response to the conditions of today. This stance recognizes citizens as policy makers and emphasizes the responsibilities of educational providers to support democratic engagement.

Project Objectives

  1. Increase student teacher awareness and understandings of democracy and the necessary conditions to enable democratic participation.

  2. Involve student teachers in critically appraising the relationship between education, democracy and diversity.

  3. Prepare student teachers to build connections between formal, nonformal and informal education specifically listening to and drawing on different voices to co-create democratic educational communities.

  4. Implement innovative, cross-disciplinary teaching and research methodologies at partner institutions to support democratic participation within educational institutions.

  5. Design resources, materials and activities to be implemented in teacher education programmes widening the provision of democratic education in pre- and in-service contexts.

Project Outcome

This "Evocative Report" details the results of a ten day, intensive programme in Budapest, Hungary. The event was collaboratively delivered by eight Higher Education Institutions and brought together students of teacher education from across Europe.

Funding

Erasmus + 

EU Erasmus +: Cooperation for innovation and the exchange of good practices

Case Study: A comparative international study of art education

Description

The pedagogical turn to art as research was an international comparative study that critically analysed visual arts in doctoral research. Together, academics and PhD students examined institutional relationships and scholarly practices in conducting research into and through the arts. In doing so, they formed a comprehensive study of the state of visual arts PhDs in education in both formal and informal learning environments.

Partners

Research Outcomes

Provoking the Field: International Perspectives on Visual Arts PhDs in Education

inner, A., Irwin, R. & Adams, J. (Eds.) (2019) Bristol: Intellect. ISBN: 978-1783209910

www.intellectbooks.com/provoking-the-field

Adams, J. & Arya-Manesh, E. (2019) In: Provoking the Field: International Perspectives on Visual Arts PhDs in Education. Sinner, A., Irwin, R. & Adams, J. (Eds.) Bristol: Intellect, pp. 48-58.

www.intellectbooks.com/provoking-the-field

onlinelibrary.wiley.com/toc/14768070/2019/38/3

  • Adams, J. (2019) Editorial: Visual Art-Based Education Research, International Journal of Art and Design Education, Vol. 38, No.3, pp. 558-561. DOI: 10.1111/jade.12253
  • Hoekstra, M. (2019) A Place for Stupidity: Investigating Democratic Learning Spaces in the Diorama. International Journal of Art and Design Education, Vol. 38, No.3, pp. 649-658.
  • Misra, S. (2019) ‘The Plastic Ceiling Project’: Advantages of Using Arts‐Based Research to Explore the Pain of Mothers that Work and Study

Vol. 38, No.3, pp. 691-699

onlinelibrary.wiley.com/toc/14768070/2019/38/3

Events:

  • PROVOKE: International Perspective of Visual Arts Research in Education; at Concordia University, 3 May 2017. (https://www.concordia.ca/finearts/art-education/research/provoke-2017.html)
  • Tate Exchange: Mittens to Barbies; at Tate Liverpool with UBC Vancouver, Concordia University Montreal, Granada University, Lapland University and University of Chester. 12-18 March 2018, Reaching 5,323 people (www.tate.org.uk/whats-on/tate-liverpool/workshop/mittens-to-barbies)

Book Testimonial

Provoking the Field: International Perspectives on Visual Arts PhDs in Education

“This book will be important to those doctorate students who intend using visual arts methods to explore educational research questions. […] New Ph.D. supervisors would also find Provoking the Field: International Perspectives on Visual Arts PhDs in Education a valuable asset when developing their own supervisory practice." - Samantha Broadhead, Art, Design & Communication in Higher Education

Funding

Partnership Development Grant, Social Sciences and Humanities Research Council of Canada (SSHRC)

University of Chester Income: £18,758

Period when the impact occurred: 2015-2018

Publications and Associated Journals

Creativity and Democracy in Education: Practices and politics of learning through the arts

By Jeff Adams and Allan Owens

The struggle to establish more democratic education pedagogies has a long history in the politics of mainstream education. This book argues for the significance of the creative arts in the establishment of social justice in education, using examples drawn from a selection of contemporary case studies including Japanese applied drama, Palestinian teacher education and Room 13 children’s contemporary art.

www.routledge.com/Creativity-and-Democracy-in-Education-Practices-and-politics-of-learning/Adams-Owens/p/book/9781138103917

chesterrep.openrepository.com/handle/10034/604726

Provoking the Field

Provoking the Field: International Perspectives on Visual Arts PhDs in Education

Edited by Anita SinnerRita L. Irwin and Jeff Adams Series edited by Anita Sinner and Rita L. Irwin

Provoking the Field invites debate on, and provides an essential resource for, transnational arts-based scholars engaged in critical analyses of international visual arts education and its enquiry in doctoral research. The book encompasses creative research practices in the visual arts, and advances pedagogical and experimental perspectives, assessments, methodological deliberations and ethical issues and concerns in relation to a host of topic areas in visual arts education.

“This book will be important to those doctorate students who intend using visual arts methods to explore educational research questions. […] New Ph.D. supervisors would also find Provoking the Field: International Perspectives on Visual Arts PhDs in Education a valuable asset when developing their own supervisory practice.” - Samantha Broadhead, Art, Design & Communication in Higher Education

www.intellectbooks.com/provoking-the-field

chesterrep.openrepository.com/handle/10034/622475

Beyond Text

Beyond Text: Learning through Arts-Based Research

Edited by Jeff Adams and Allan Owens

This book focuses on learning through arts-based research as a practice of social justice through which we can reimagine, interrupt, insist and resist as we engage collectively to better understand and rethink social, organisational and societal issues. The result of a multi-year and international research project, Beyond Text (beyondtext.weebly.com/).

“While I know of other arts-based research books, this one is unique. It is built upon a multi-year research study across several countries as those involved used the arts to study topics of mutual interest. I am struck by that which connects everyone but also by the differences that are discussed in each chapter. Reading this book made me think we don’t often get a chance to experience such a vibrant project unified in such a strong book.”

Rita Irwin, Professor of Art Education at the University of British Columbia, and co-editor of Provoking the Field

www.intellectbooks.com/beyond-text

All information available at:

beyondtext.weebly.com

Journals

iJADE

onlinelibrary.wiley.com/journal/14768070

Overview

The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations.

Published in association with NSEAD (www.nsead.org)

Keywords

Art, education, design, journal, international, society, national, social, cultural, craft, curriculum, national, extracurricular, GCSE, A-level, university, degree, resources, review, book, periodical, analysis, research, article, theory

Principal Editor

  • Dr Deborah Riding, Tate Liverpool and RECAP, University of Chester

Editors

  • Dr Peter Gregory, Canterbury Christ Church University
  • Dr Madeleine Sclater, Deputy Principal Editor, Glasgow School of Art
  • Dr Miranda Matthews, Goldsmiths, University of London
  • Mr Neil Walton, Goldsmiths, University of London

Administrator

  • Emma Arya-Manesh, RECAP, University of Chester

Impact factor: 0.475

2019 Journal Citation Reports (Clarivate Analytics): 244/263 (Education & Educational Research)

Online ISSN:1476-8070

© NSEAD/John Wiley & Sons Ltd

COMPARE: A Journal of Comparative and International Education

www.tandfonline.com/toc/ccom20/current

Overview 

Comparative and international studies in education address themes of major interest to policy makers and academics. They illuminate the role of education in development, in maintaining or challenging the existing social order, and the interaction of the local, the national and the global in education systems, institutions and practices. Compare publishes such research as it relates to educational development and change in different parts of the world. It seeks analyses of educational discourse, policy and practice across disciplines, and their implications for teaching, learning and governance.

Published in association with BAICE (baice.ac.uk)

Impact factor: 1.765

2019 Journal Citation Reports (Clarivate Analytics): 93/263 (Education & Educational Research)

Editors

Founding Editor:  

  • Leon Boucher - formerly Dean of Education, Chester College, UK

Review Editor:

  • Amy North - UCL Institute of Education, UK

Editorial Assistant

  • Emma Arya-Manesh, RECAP, University of Chester

CORNUCOPIA

storefront.chester.ac.uk

Overview

A Journal that Celebrates Excellence in the Scholarly Activity of Education Students

CORNUCOPIA as a journal, takes a cross-section of academic submissions from the Faculty of Education and Children’s Services at the University of Chester. With the aim of celebrating excellence in scholarly activity it takes examples from level 4, the first year of an undergraduate degree, through to Level 8 and post-graduate work: all within the field of education. It also includes an honorary submission from another institution. Each issue is monothematic, focusing each time upon a different aspect, but one deemed crucial to pedagogical thought. The editors of the journal see their part, more as facilitators than exhibitors.

Published by University of Chester

Keywords

Education, learning, pedagogy, cultural education, student scholars

Principal Editors

  • Dr Simon E Poole, RECAP, University of Chester
  • Wendy P Garner, University of Chester

Editors

  • Dr Rob Davis, Federation University
  • Prof Hala Al-Yamani, Bethlehem University
  • Prof Beth Powers, Millersville University
  • Dr Lluís Solé i Salas, Universitat de Vic, Universitat Central de Catalunya

 

 

Who We Are

Emeritus Professor Jeff Adams (Co-Director)

Professor of Education at the University of Chester, and former Principal Editor of the International Journal of Art & Design Education. At Chester he founded the Doctorate in Education (EdD) programme and is currently researching into arts education and creative pedagogies, with grants from Esmée Fairbairn and the British Academy. He previously worked as leader of the MA Artist Teachers programme at Goldsmiths College, University of London.

Jeff has also lectured in education and art history at Edge Hill University, Liverpool John Moores University and the Open University, as well as in teaching art in state comprehensive schools in Yorkshire and Cumbria. His books include Documentary Graphic Novels and Social Realism (Peter Lang, 2008); Teaching Through Contemporary Art (with Worwood, Atkinson, Dash, Herne & Page; Tate, 2008), and Applying Theory to Educational Research (with Cochrane & Dunne (Eds), Wiley-Blackwell, 2012).

View Jeff's Profile

Emeritus Professor Allan Owens (Co-Director)

Emeritus Professor of Drama Education in the Faculty of Education and & Faculty of Arts & Media-Department of Performing Arts, a Distinguished Teaching Fellow of the University of Chester and a National Teaching Fellow. He has responsibilities for knowledge exchange, research, teaching and international project development. Current work focuses on creative pedagogy, the intercultural dimension of drama and in particular the use of drama in the professions- including arts based initiatives in development processes.

In the past decade he has worked in 16 countries with on-going long-term projects in Palestine, Finland, Japan, Spain, Sweden and Estonia. He has strong links with Palestine having first worked in Gaza and the West Bank in 1995 with the Ministry of Education and latterly in the University sector. He has led long-term capacity building projects, run intensive short programmes, developed research initiatives and staged pre-text based interactive performances across cultural borders in collaboration with colleagues locally, nationally and internationally.

View Allan's Profile

Dr Emma Arya-Manesh (Centre Manager & Researcher)

Dr Emma Arya-Manesh is a mixed-methods researcher with over 10-years of experience conducting evaluations and undertaking research across a diverse range of settings including art galleries, cultural and arts-based organisations, children’s centres, youth groups, universities, and schools. Emma is also the Editorial Assistant for two journals, COMPARE: A Journal of Comparative and International Education and the International Journal of Art & Design Education (iJADE).

Emma’s PhD thesis explores the perceptions and values of teacher educators in relation to critical peacebuilding in the West Bank. Separately, she is also working on a project to explore the lived experiences of Palestinian women in the West Bank. She has published on creative arts practices in teaching, pedagogy and learning. Her most recent research has focused on doctoral students encounters with creative practices in education.

View Emma's Profile

Dr Anne Pässilä PhD (Visiting Senior Research Fellow)

She is Senior Researcher at Lappeenranta University of Technology, Lahti School of Innovation, Finland and Partner in the consulting company Susinno Ltd.  She has an international profile in applying arts-based initiatives to support innovation and development processes and has extensive experience of front-line workplace engagement in research-based theatre as a support in developing shared understanding in a context of practice-based innovation management. Her interests are in investigating a methodological approach in which narrative methods are utilized to involve employees of organizations and networks in development work.

She continues to publish widely on the interpretative and intuitive approach to the innovation process. Pässilä, A. (2012), Pässilä, A. And Vince, R. (2012).Pässilä, A., Oikarinen, T and Vince, R. (2012) in: H. Melkas and V. Harmaakorpi (eds.)., Pässilä, A., Oikarinen, T. & Kallio, A. (2013). Pässilä, Tuija Oikarinen, Satu Parjanen, Vesa Harmaakorpi, (2013). Her paper “Creating dialogue by storytelling” was selected by the Journal of Workplace Learning Editorial Team for the prestigious award of Outstanding Paper of 2013.

View Anne's Profile

Professor Eva Österlind (Visiting Professor)

She is an Associate Professor of Drama Education at Stockholm University, and former Director of Studies in Aesthetics and Learning, with special responsibility for development and strategic planning.  She designed the first drama courses at advanced level in Sweden, allowing Masters students to specialise in Drama. Her main field of teaching is CPD courses for teachers, leadership development (in the private sector) and tutorial of doctoral students.

Her research concerns Instructional Design – especially form as content – and the potential of Educational Drama, Forum Theatre as a tool for active citizenship, and Process Drama in Education for Sustainable Development. She is a member of the Editorial Board/Advisory Board of two of the leading research journals in the field of Arts and Drama Education. A group of Swedish doctoral students in Drama Education are now enrolled in Chester, where Österlind is a Research Fellow. In 2014 she is visiting Professor at Faculty of Creative Industries, Queensland University of Technology in Brisbane, AU.

Dr Si Poole (Researcher)

MA, PGCSiC, PGCE, BA(Hons), SFHEA, FCollT, FRSA, MISM, is the Programme Leader for the Masters in Creative Practice in Education and Senior Lecturer in the Faculty of Children's Services at the University of Chester. He also works at Storyhouse (www.storyhouse.com), as the Senior Lead in Cultural Education and Research. Storyhouse is Chester's award-winning, innovative combined arts producer and storytelling organization, that brings together live performance, music, film, digital art and literature to provide new opportunities for audiences to connect with stories and ideas, with each other and with their communities.

Continuing to work internationally, his main areas of research are music, culture, folklore and creativity and how these aspects of our lives can enhance people's learning as a transformative experience. He also runs a grass roots record label called ‘Soil Records’ and is the singer and songwriter of the band ‘the loose kites’ (www.theloosekites.com).

View Si's Profile

Dr Deborah Riding (Visiting Research Fellow)

Dr Deborah Riding has worked in gallery education for over twenty years, managing and delivering programmes for a range of audiences. Deborah’s research interests are around collaborative practices in galleries and her doctoral thesis, Challenging the Rules of Engagement, focused specifically on the co-creation of knowledge in the public art museum. Deborah leads the team for children and young people at Tate Liverpool, working collaboratively with audiences to support deep engagement with the arts and the gallery and its collection.

Deborah is committed to making children and young people’s learning and voices visible in the gallery and has recently co- curated a new Collection display, Ideas Depot, with curator Darren Pih and local teachers and children. She works with colleagues at a partner university on the Schools in Residence and Tackling the Blues mental health research programmes. Deborah is Principal Editor of the International Journal of Art and Design Education.

View Deborah's Profile

Dr Lluis Solé (Visiting Research Fellow)

Lluís Solé, PhD is a musician, researcher and a senior lecturer of Music Pedagogy at Universitat de Vic-Universitat Central de Catalunya in Spain. He was formally educated as a Biologist and an instrumentist of piano, recorder, harpsichord, cornet and bansuri. He has also worked as a music soloist and as a teacher in secondary education.

Lluís is the founder and conductor of the UVic’s Inclusive Orchestra, an access and equity project regarding music practice; it is a project based on the application of Universal Design Principles to orchestras. His interests are focused on accessibility in instrumental music-making, and participation in music regardless of individual musical abilities. He is interested also in Arts-Based processes (Inquiry, Evaluation, Assessment or dissemination) through music.

View Luis's Profile